It's different with every performer.
Sometimes it comes before we start.
a look of sheer terror: "What if all my nightmares come true?"
a look of desperation: "Please don't leave me hanging."
a look of relief: "I'm so glad I'm not up here by myself."
Sometimes it comes at the end.
a look of disbelief: "I can't believe I'm still alive."
a look of bashfulness: "I don't know how to receive their applause."
a look of relief: "I'm so glad it's done."
a look of gratitude.
And in that moment, I know why I do what I do.
People often ask me what I do and why I chose this field. There are a lot of different answers to that question. But sooner or later, I end up telling them about these moments. These moments that are shared between singer and accompanist. These moments that make the hours of practice worth it. These moments that are wordless.
The things communicated in that split-second vary from performance to performance. I may be the only one in the room that knows what this singer has accomplished, that knows that was the best they've ever sung that piece. And in that moment, as the audience applauds, we celebrate together. Or I may be the only one in the room that knows they skipped two pages or made up the words to the second verse. And in that moment, as it becomes clear that the audience didn't notice at all, our eyes meet and share a smile, as we silently vow to make it our little secret.
Last night I played for a recital of amateurs, a refreshing change after playing for graduate students all year. Some had taken lessons before, some are just starting out. Some want to sing opera, some just want to learn to sing in tune. But they all have two things in common: they love to sing, and they're terrified of performing.
So I got a few looks last night. Of all different kinds. and I loved every minute of it.
And it made me think about the looks they're receiving from me. What do they see in my eyes when they look back over their shoulder? I hope they see a number of things
a look of peace: "I've got enough calmness for the both of us."
a look of joy: "I know what you've accomplished today, and I'm exceedingly proud
of you."
a look of humility: "It's an honor to be sitting here with you, to be making music
with you."
In one of my favorite books,
Les Miserables, Victor Hugo talks about the power of a glance. And while he was referencing it in terms of falling in love, he makes the point that the power of a glance is often underestimated. He argues that love
can be communicated through a single glance.
And I think he's quite right.